DESIGN ELEMENTS
• Point
- A dot is a point that when larger becomes a circle shape
- If the mark is used to highlight a particular piece of information or it is used in a decorative manner then we can assume it is a point
- Commonly found on maps
- Example: include ©
- A dot is a point that when larger becomes a circle shape
- If the mark is used to highlight a particular piece of information or it is used in a decorative manner then we can assume it is a point
- Commonly found on maps
- Example: include ©
• Line
- Used to enhance meaning, clarity and quality of visual communications
- When analyzing the purpose and quality of a line, specific terms are used
* Dimension lines: lines with arrow heads
* Weight: the thickness of the line
* Style: whether the line is curvy, straight, irregular, jagged, wavy or angular
- Lines can also represent a mood or emotion in a visual communication. Eg. Wavy lines are relaxing than jagged lines
- Used to enhance meaning, clarity and quality of visual communications
- When analyzing the purpose and quality of a line, specific terms are used
* Dimension lines: lines with arrow heads
* Weight: the thickness of the line
* Style: whether the line is curvy, straight, irregular, jagged, wavy or angular
- Lines can also represent a mood or emotion in a visual communication. Eg. Wavy lines are relaxing than jagged lines
• Shape
- Geometric shapes
- Organic shapes (natural)
- Must be two dimensional
- Geometric shapes
- Organic shapes (natural)
- Must be two dimensional
• Form
- Created by joining shapes to make a three-dimensional object
- Can be either organic or geometric
- Form can be filled but that fill must be a flat fill and not include tone if it is to be considered and analyzed as form
- Created by joining shapes to make a three-dimensional object
- Can be either organic or geometric
- Form can be filled but that fill must be a flat fill and not include tone if it is to be considered and analyzed as form
• Tone
- High or low tonal key
* High tonal key is where there is a strong separation between highlights and shadows
* Low tonal key: little separation between the two
* When photographing, a low tonal key is generally used to ensure the details are not lost
- Graded tone
* The transition from one tonal value to the next (from light to dark)
• Texture
- Where there is a sense of the representation’s textural qualities.
- Example. Wood, wool, brick, metal, plastic, glass
- Gets the audience to ‘feel’ rather than see
- Evoke different responses
• Colour
- Colour can be described as Bold, warm, cool, monotone, complementary, triadic, analogous
- Red can be interpreted as hot, dangerous, exotic
- Blue: calm, cool, airy
• Letterform
- Many products use letterform to identity the maker of the brand
- Letterform can be used as a purely decorative element
- Serif
* Has the ‘feet’ at the end of the letters
* More conservative, traditional
- San serif
* With the feet
* More contemporary
* More relaxed and is preferred for communicating with the young
- Many products use letterform to identity the maker of the brand
- Letterform can be used as a purely decorative element
- Serif
* Has the ‘feet’ at the end of the letters
* More conservative, traditional
- San serif
* With the feet
* More contemporary
* More relaxed and is preferred for communicating with the young
DESIGN PRINCIPLES
• Figure-ground
- The figure is what you are meant to notice/see
- This could be an image, or word
- The ground is where the figure is placed on
- It is known as the negative space (the ground)
- Strong figure demands attention – is dominant
- The figure is what you are meant to notice/see
- This could be an image, or word
- The ground is where the figure is placed on
- It is known as the negative space (the ground)
- Strong figure demands attention – is dominant
• Balance
- Symmetrical balance
* There is equal weight of visual information on both sides of a dividing axis
* Can be symmetrical vertically, horizontally or diagonally
- Asymmetrically balanced
* There is more weight on one side than the other
• Contrast
- A way of creating tension within a visual communication
- Examples: large and small, dark and light, solid and opaque, shiny and matte, soft and hard, narrow and wide, thick and thin
- Contrast helps leads the viewer to information in a planned manner
- It can also convey a message (for example, an old person and a newborn)
• Cropping
- By showing part of a total image or word, you are drawn to focus on it encouraged to fill in the missing detail
- It leaves you wanting more
• Hierarchy
- Can determine the order in which a viewer sees or reads visual information
- Can be formed using a range of design elements and other design principles
- Contrast, letterform, figure-ground, point and lines help develop a hierarchy of information
• Scale
- Refers to the size of an object
- The object can be scaled up or scaled down
- Can be referred to large vs. small compared to its natural size
• Proportion
- Alters the appearance of an object
- It can be stretched or flattened or elongated or narrowed
• Pattern
- Repeating of an element to reinforce a message
- Ordered patterns create stability while a pattern that has less distinct repetition of parts can create a sense of visual excitement
- Related sequence, pattern repetition
- Organic sequence, pattern alternation
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